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Physiologically deconstructing Eve of St Agnes John Keats

 

Madeline Keats Eve St Agnes deconstructed

 

Here is a contemporary poem reinterpreting Keats’ Eve of Saint Agnes:

The Eve of St. Agnes 2023

St. Agnes’ Eve—Ah, bitter chill it was! The snow, for all its whiteness, was a-cold; The cars skid sliding through the icy slush, And silent was the city in its hold: Numb were the homeless fingers, while they sold Their wares, and while their frozen breath, Like puffs of smoke from cigarettes so old, Seem’d fading in the air, without a death, Past the bright billboards, while they curse their fate.

Their fate they curse, these weary, wretched souls; Then take their bags, and shuffle from the streets, And back returneth, hungry, to their holes, Along the alleyways by slow retreats: The trash, on each side, seem to heap, Enclosing them in dark, infernal piles: Rats, roaches, scavenging in grimy deeps, They passeth by; and their weak spirit riles To think how they may starve in filthy tiles.

Southward they turneth through a broken door, And scarce three steps, ere Music’s thumping bass Assaulted their ears this night and evermore; But no—already had their lifeline pass’d; The joys of all their youth were waste and cast: Theirs was harsh living on St. Agnes’ Eve: Another way they went, and soon among Rough blankets lay they for their souls’ reprieve, And all night kept awake, for sinners’ sake to grieve.

That ancient homeless heard the prelude loud; And so it chanc’d, for many a window wide, From hurry to and fro. Soon, up above, The flashing, blaring lights 'gan to collide: The penthouse suites, ready with their pride, Were glowing to receive a thousand guests: The crystal chandeliers, ever sparkling-eyed, Star’d, where upon their heads the ceiling rests, With hair blown back, and jewels put cross-wise on their chests.

At length burst in the golden revelry, With gown, tiara, and all rich array, Numerous as shadows haunting eerily The mind, new stuff’d, in age, with sorrows grey Of old romance. These let us wish away, And turn, sole-thoughted, to one Lady there, Whose heart had brooded, all that wintry day, On love, and wing’d St. Agnes’ saintly care, As she had heard an old voice whisper from the air.

She seem’d a splendid angel, newly drest, Save wings, for heaven:—Porphyro grew faint: She knelt, so pure a thing, so free from mortal taint. Anon his heart revives: her vespers done, Of all its wreathed pearls her hair she frees; Unclasps her warmed jewels one by one; Loosens her fragrant bodice; by degrees Her rich attire creeps rustling to her knees: Half-hidden, like a mermaid in sea-weed, Pensive awhile she dreams awake, and sees, In fancy, fair St. Agnes in her bed, But dares not look behind, or all the charm is fled.

Soon, trembling in her soft and chilly nest, In sort of wakeful swoon, perplex’d she lay, Until the poppied warmth of sleep oppress’d Her soothed limbs, and soul fatigued away; Flown, like a thought, until the morrow-day; Blissfully haven’d both from joy and pain; Clasp’d like a missal where swart Paynims pray; Blinded alike from sunshine and from rain, As though a rose should shut, and be a bud again.

Stol’n to this paradise, and so entranced, Porphyro gazed upon her empty dress, And listen’d to her breathing, if it chanced To wake into a slumberous tenderness; Which when he heard, that minute did he bless, And breath’d himself: then from the closet crept, Noiseless as fear in a wide wilderness, And over the hush’d carpet, silent, stept, And 'tween the curtains peep’d, where, lo!—how fast she slept.

Then by the bed-side, where the faded moon Made a dim, silver twilight, soft he set A table, and, half anguish’d, threw thereon A cloth of woven crimson, gold, and jet:— O for some drowsy Morphean amulet! The boisterous, midnight, festive clarion, The kettle-drum, and far-heard clarinet, Affray his ears, though but in dying tone:— The hall door shuts again, and all the noise is gone.

And still she slept an azure-lidded sleep, In blanched linen, smooth, and lavender’d, While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd; With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon; Manna and dates, in argosy transferr’d From Fez; and spiced dainties, every one, From silken Samarcand to cedar’d Lebanon.

These delicates he heap’d with glowing hand On golden dishes and in baskets bright Of wreathed silver: sumptuous they stand In the retired quiet of the night, Filling the chilly room with perfume light.— “And now, my love, my seraph fair, awake! Thou art my heaven, and I thine eremite: Open thine eyes, for meek St. Agnes’ sake, Or I shall drowse beside thee, so my soul doth ache.”

 

 

Keats Eve St Agnes Madeline reimagined

 

 

Thus whispering, his warm, unnerved arm Sank in her pillow. Shaded was her dream By the dusk curtains:—'twas a midnight charm Impossible to melt as iced stream: The lustrous salvers in the moonlight gleam; Broad golden fringe upon the carpet lies: It seem’d he never, never could redeem From such a stedfast spell his lady’s eyes; So mus’d awhile, entoil’d in woofed phantasies.

Awakening up, he took her hollow lute,— Tumultuous,—and, in chords that tenderest be, He play’d an ancient ditty, long since mute, In Provence call’d, “La belle dame sans mercy:” Close to her ear touching the melody;— Wherewith disturb’d, she utter’d a soft moan: He ceased—she panted quick—and suddenly Her blue affrayed eyes wide open shone: Upon his knees he sank, pale as smooth-sculptured stone.

Her eyes were open, but she still beheld, Now wide awake, the vision of her sleep: There was a painful change, that nigh expell’d The blisses of her dream so pure and deep At which fair Madeline began to weep, And moan forth witless words with many a sigh; While still her gaze on Porphyro would keep; Who knelt, with joined hands and piteous eye, Fearing to move or speak, she look’d so dreamingly.

“Ah, Porphyro!” said she, “but even now Thy voice was at sweet tremble in mine ear, Made tuneable with every sweetest vow; And those sad eyes were spiritual and clear: How chang’d thou art! how pallid, chill, and drear! Give me that voice again, my Porphyro, Those looks immortal, those complainings dear! Oh leave me not in this eternal woe, For if thou diest, my Love, I know not where to go.”

Beyond a mortal man impassion’d far At these voluptuous accents, he arose Ethereal, flush’d, and like a throbbing star Seen mid the sapphire heaven’s deep repose; Into her dream he melted, as the rose Blendeth its odour with the violet,— Solution sweet: meantime the frost-wind blows Like Love’s alarum pattering the sharp sleet Against the window-panes; St. Agnes’ moon hath set.

'Tis dark: quick pattereth the flaw-blown sleet: “This is no dream, my bride, my Madeline!” 'Tis dark: the iced gusts still rave and beat: “No dream, alas! alas! and woe is mine! Porphyro will leave me here to fade and pine.— Cruel! what traitor could thee hither bring? I curse not, for my heart is lost in thine, Though thou forsakest a deceived thing;— A dove forlorn and lost with sick unpruned wing.”

"My Madeline! sweet dreamer! lovely bride! Say, may I be for aye thy vassal blest? Thy beauty’s shield, heart-shap’d and vermeil dyed? Ah, silver shrine, here will I take my rest After so many hours of toil and quest, A famish’d pilgrim,—sav’d by miracle. Though I have found, I will not rob thy nest Saving of thy sweet self; if thou think’st well To trust, fair Madeline, to no rude infidel.

"Hark! 'tis an elfin-storm from faery land, Of haggard seeming, but a boon indeed: Arise—arise! the morning is at hand;— The bloated wassaillers will never heed:— Let us awa

 

 

 

 

Or a song with a contemporary feel:

Song

Verse 1)
In the realm of dreams and passions combined,
We embark upon a tale of love entwined,
A modern twist on timeless tales of old,
Where the past and present somehow unfold.

(Pre-Chorus)
On this eve of Saint Agnes, our story starts,
A modern reincarnation of two souls and their hearts,
Madeleine, a spirit bright and bold,
Keats’ poem's enchantment she's soon to behold.

(Chorus)
O Madeleine, in this waking dream,
Where lovers dance in moonlight gleam,
In Keats' poem we find our way,
A love reborn on this fateful day.

(Verse 2)
Madeleine, a muse as stunning as the dawn,
Seeks a love deep, true, and never withdrawn,
In a world of screens and digital embrace,
She yearns for a love that leaves no trace.

(Pre-Chorus)
As she reads the Eve of Saint Agnes by Keats,
She envisions a love that her heart truly seeks,
Of ancient rituals, passions unrestrained,
A world where love and desire can't be contained.

(Chorus)
O Madeleine, in this waking dream,
Where lovers dance in moonlight gleam,
In Keats' poem we find our way,
A love reborn on this fateful day.

(Bridge)
Through the corridors of time, Madeleine shall go,
To find her love, lost in the ebb and flow,
She steps into the realm of Keats' fairytale,
Where realities blend and dreams prevail.

(Verse 3)
In this modern reincarnation of a classic,
Madeleine meets her lover, strong and fantastic,
As they dance through the night in passionate sway,
A love rekindled on this mystical day.

(Pre-Chorus)
The essence of Keats' poem weaves their fate,
Together they transcend the limits of time and space,
In this magical encounter, their souls ignite,
A love that survives amidst the darkest night.

(Chorus)
O Madeleine, in this waking dream,
Where lovers dance in moonlight gleam,
In Keats' poem we find our way,
A love reborn on this fateful day.

(Outro)
In the tapestry of love, past and present intertwined,
Madeleine's encounters, in Keats' poem we find,
A modern tale, inspired by olden lore,
Love's reincarnation forevermore.

 

 

Central character come onKeats Eve St Agnes deconstructed

 

 

Or another poem:

In the realm where intellect convenes,
A modern poet's mind takes keen to Keats' serene,
Upon the Eve of Saint Agnes, we embark,
A journey through time, igniting sparks.

His verse heeds the call of olden days,
Adapting, modernizing, in new rhythmic ways,
In fluent words, a tapestry is spun,
Where past and present seamlessly become one.

The eve rests draped in a moon's soft glow,
Whispers fill the air, as secrets start to flow,
The echoes of Keats now intertwine,
His tale of love, unraveling with a modern shine.

A maiden fair, amidst the hallowed night,
Awaiting her beloved, bathed in moonlight,
No longer helpless, as society may deem,
She strides forth, a woman of her own esteem.

Where Keats painted Madeline's guileless grace,
Our expert's poet adds depth to her embrace,
A feminist fire in her eyes now gleams,
Fearless, she claims her own hopes and dreams.

Through labyrinthine corridors she roams,
In search of Porphyro, her heart firmly known,
Though tradition may dictate their love be denied,
Together they shall break societal stride.

Gone are the days of whispered masks,
For our modern poet, love boldly basks,
In rooms adorned with technology's charm,
Their souls entwined, casting off old harm.

Yet shadows linger, as they always do,
In this modern retelling, the darkness breaks through,
Inequities, prejudices, and misguided fears,
The poet exposes, pours through his tears.

The Eve of Saint Agnes, reimagined anew,
With every verse, its essence rings true,
Love's power remains, as time unfolds,
A timeless tale, within these words it molds.

The expert's poet, with judicious pen,
Reinterprets Keats, honing truths again,
A contemporary dance of love and strife,
Reminding us of the essence of life.

So let us pay homage, to both old and new,
To Keats and his muse and this poet's breakthrough,
For in every era, the heart beats the same,
And poetry's power remains untamed.

 

 

Keats Eve St Agnes scenario

Best regards,

Eddy Jackson

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